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Dielli | The Sun

Albanian American Newspaper Devoted to the Intellectual and Cultural Advancement of the Albanians in America | Since 1909

The Beauty within: an interview with Stephanie Moore

October 24, 2013 by dgreca

By Gjekë Marinaj, PhD/

After graduating with a Bachelor degree and summa cum laude honors from the University of North Florida in 2006, Stephanie Moore, a born and raised Floridian, ventured to the state of Texas in order to pursue her passion for literature.

Stephanie began her oratory and writing career following the obtainment of the Miss Florida Right to Life title in 2001, which allotted her a platform to speak throughout the state on her specified topic of interest- empowerment and education for young women. Stephanie also represented the state of Florida at the National Right to Life Oratory Contest in June 2001.  Additionally, she gained recognition in March 2002, winning the State of Florida Mock Trial Competition Best Witness Award.

Other professional achievements include election by the University of North Florida to speak on behalf of her fellow collegiate scholars at the Sigma Theta Tau Honor Society induction.  Stephanie also had the privilege of having an original poem chosen and printed by her graduating class to represent the era of their accomplishments.

Stephanie currently resides in Dallas, Texas where she obtained a senior writing position.  She continues to pursue her passion for poetry and also hopes to one day provide coverage on human interest stories through writing, editing or interviewing. Her goal is to one day publish a novel targeted for women, providing inspiration through hopeful humor and real-life accounts, on the importance of remaining intact in your self-awareness.

Gjekë Marinaj: Do you believe your writing is capable of transcending differing cultural, religious or diversified backgrounds? If so- what are you hoping to give or gain from the Albanian culture?

Stephanie Moore: I do believe it is possible to use my writing to create a message that is universal for all those whom encounter it.  I believe that no matter what your race, religion, creed, upbringing, social status or societal standing- there can be a universal message that resonates with all.

I believe that writing is a powerful tool. I may not speak the same language as my worldly peers, be raised with the same values, or even praise the same God- but, this is what I know for sure- there are certain intrinsic human tendencies  that transcend all.  A smile can convey the same message in any circumstance, and words- they can mend a soul when constructed with divine purity and rightful intent. Whether my story is humorous, encouraging, heartbreaking, gutted, honest or humbled- I believe the voice and tone behind my words will resonate.  I believe when guided by grace and true humility, there are endless possibilities that await. I hope to have my words heal others as others words have healed me.  I hope that I can share the strength that the strongest stories have given.  And I hope that I can illicit as many smiles, from as many faces and places, as there are words to be written.  That is my prayer. That is where I will find my peace.

Albania to me represents how powerful perseverance and movement can really be.  The country, the people, the stories- they all signify to me the reason why it’s so important to press forward into greatness.  The beauty of the landscape is a testament to creation at its finest. The stories of banding brotherhood are admirable. The people who have been born there, and then shared their greatness as profound leaders, deserve the gratitude of the world.  I ask not what I can give to this country- because it would pale in comparison to what even the mere stories have given me- and that is the exemplification of hope.  Thereby, my hope rests now in that I will be able to travel to this wondrous place to physically absorb whatever I can of what I deem to be the true meaning of beauty.

GjM: Now that you are seriously entering the writing world, do you still believe in the concept of calculated risk and what does it mean to you?

SM: There is no greater reward that I can give myself other than growth.  I have learned through trial, and numerous errors, that I thrive in a place where my soul is stretched to its capacity. I am in constant movement, always learning, always growing. I was born to seek and gather.

That being said, I have not been blessed with a born since of confidence. Life circumstances have challenged my worth too many times to be calculated.  I’ve hit rock bottom, and then grown accustomed to even what’s beneath the gravel.  Suffice to say, it hasn’t been easy.

However somehow, I have learned to persevere.   I’ve learned that when you dust off the debris, there’s a whole foundation of hope that can arise from your experience, if you just keep moving.

Making the calculated decision to share my writing weighed significantly on my heart for quite some time because it is something that I’ve never done.  Being a person that thrives on consistency, and gains control by routine and regulation, this is quite possibly the scariest endeavor I have ever pursued. My writing is the purging of my soul on paper. It is a natural extension of myself. So to decide to share that with others, knowing that critique is to be expected, feels unfamiliar and frightening.   But, strangely enough, it also feels liberating.

I believe in this risk because the reward is not fueled by boastfulness, ego, celebrity or external riches. It is driven by the fact that I know there is no way to grow that isn’t uncomfortable.  And my soul needs to stretch.

GjM: Why is writing important to you?

SM: I don’t know if there is a more honest reflection of myself than when I write. It becomes a cathartic release of everything substantial coming straight from my soul. I don’t hide behind what I think sounds appropriate, or what would please the ear of another. I simply put words down in a way that is meaningful and purposeful for me. It is a therapeutic mirror at best.

Writing is important to me because, simply put, words carry weight. The delivery and intent behind any body of writing carries a significant and poignant amount of strength. Words have the ability to be destructive and harmful, just as much as they can rebuild and reconstruct hope for its audience.

As I grew up, I lacked the fundamental core system that teaches and strengthens a child. I didn’t have resources to image healthy relationships or answer simple life questions.  I learned very quickly that if I needed to teach myself to know better, be better and do better in this life, I would need the help and wisdom of others. This came to me through the form of reading. Books became my safety harbor- the authors, my life teachers. The more time I spent reading the experiences of others, I began to feel less isolated and more part of a community. I wasn’t alone.

Thereby, writing holds significant purpose to me, because if my words, just once, could help another gain autonomy, self-value, appreciation or worth- I will have paid it forward.

GjM:  How is your pen going to contribute to the importance and value of physical beauty in this diversified planet?

SM: There’s something that I like to call “the power of pretty.” It’s the ability to use physical beauty as a catalyst.  It is sociologically proven, and to me, it makes obtaining and sustaining self-worth a lot more difficult.  Our society has placed so much emphasis on what is stereotypically considered beautiful. It is everywhere. From the magic of marketing, to the premise of reality television- pretty people rule the world.

I’m not saying I’m immune to this.  I have succumb to too many ploys to “lose weight and feel great,” when in the end, I just want a doughnut.   I now cringe at what is a compliment of someone telling me I’m beautiful, because for me, there is so much more than my mascara.

Writing removes bias. It allows for a clean slate of unprecedented judgment.  Words don’t show race, religion or creed. And they certainly don’t care about a number on a scale, who wore it better, or if your roots need re-highlighting. They show worldly or individual perspectives and stories. They tell tales, from which each person can take information of which they may process or disregard. Writing gives the author a sounding board. Whether the audience is a party of one, or an infinite amount of eager readers.  Telling your story then becomes about the experience that you wish to communicate, and not about you.

I believe that there is one common denominator in all of humanity- and that is, acknowledgment.  It has become severely evident to me that in relationships, whether friendships or otherwise, every person on this planet just wants to be heard. They just want to know- am I worthy?

My goal is to use the power of my pen to prove just such.  Every person is worthy. Every life is worth acknowledging. Every person needs a witness, and every one needs to be noticed. Even if they are makeup free and in sweat pants.

GjM: Imagine yourself on the driver seat of a time machine. What would your first destination be: the past, the present or the future? Why?

SM: The politically correct answer to this question, I believe, would be to remain in the present.  After all, we’ve all heard the saying “the past is history, the future’s a mystery and today is a gift- that’s why it’s called the present.”

But I’m not interested in political correctness or gifts.

I would visit the past, however specifically only as an observer.  Truth be told, my past is a collection of colorful moments and lonely solitude. I’ve hated my own reflection. I’ve loved what I’ve seen. I’ve been envious, bold, resourceful, courageous, tired, enthused, dark, energized, gutted and broken.  Sometimes I’ve run the gamut of those emotions all in one day. There have been times when there are too many pieces for me to even fathom picking up. They’ve laid there scattered, and I would be too overwhelmed by grief and hopelessness to even begin to see where they may eventually fit. I don’t know the answer to getting to where I am, because where I am is not a constitute place. It is not the end all, be all. It is not the place of holy enlightenment. I wish it were that easy. I wish that someone could tell me, even now, that everything will always be okay.

But, here’s what I know for sure. We evolve. It’s inevitable. We wake up and become things that we would never, in our conscious way of thinking, dare to believe we’re capable of becoming. We somehow, some way, manage to keep moving.  And sometimes, if you’re very lucky, very persistent, and very self-aware, you move in a direction that brings you the peace you’ve been yearning for.

This is hard work. Contentment is not a walk in the park. In fact, it is a walk through the darkest cemetery- passing cob web stricken, haunted gravestones with names you recognize on them. It’s being able to see that where you come from has a direct correlation to where you are going. It’s rhythmic. It’s cyclic. It brings you full circle. Always.

So, I would revisit my past and put a comforting hand on that young girl, anxious teenager, questioning young adult, and simply say- it’s going to be okay.

GjM: You have contributed a great deal of your time to the betterment of our society. How far can a society like ours go in using sophistic analyses of the political self-interest?

SM: One of the most difficult concepts I have ever had to mentally master is the idea that you cannot help someone who doesn’t want to be helped.  Essentially speaking, you cannot change a human being.  No amount of thought, prayer, wisdom, praise, criticism, love, hope or hate can change a person who doesn’t want to be changed. Their receptiveness is fatigued and your efforts will be futile.

This hard-fought lesson has most definitely resulted from me doing exactly the opposite of which I just stated.  I have always been a superb sharer.  When I experience something grand, it is always that much better when I can share my joy with others.  So, not surprisingly, this applies to every facet of my life.  When I have found what I deem to be a healthy, normal, functional way of living and thinking, I used to believe others would benefit from my same enlightenment.  I want to help, I want to heal.  I want to open eyes and ears to betterment.  But, somewhere along the line I have learned that what works for me, is for my own individual success.  We’ve been bestowed many paths.

A society needs diversity.  It needs challenging and opposing positions.  It needs individuals to resist the norm.  But, a society will not progress in a healthy manner if the intent behind the deviation is not pure. If ones goal is for self-gratification and glory, then the ripple effect of such decisions becomes destructive.

When a society starts to falsely compare and analyze what works for them in comparison to someone else, it often times results in losing one’s self.  When you do not consciously own your individuality, it is easy to fall victim to what the world wants you to be.  You follow the majority, and lose sight of the creative genius that runs this world.  The best thing you can do for yourself, and your integrity, is to remain intact in what feels fundamentally right, and to not be ruled by ego.

GjM: In your experience as a writer, what is the true nature of reality? Is it monist, or pluralist? If logic tells us it is monist and our senses tell us it is pluralist, which would you advise us to trust?

SM: I take a rather individualistic stance on this subject.  I believe that a person’s reality is individualized.  I believe that I do not hold the jurisdiction or right to determine what someone should believe.  I think that is the entitlement of free will.  We choose our own paths to follow.

With that said, we gain insight into making such a proclamation by using our intellect and senses to develop a way of thinking that we hold to be true.  From our infancy, I believe we are constantly gathering information that will provide for an ultimate perspective in which we view the world.  Consequentially, I don’t think it is just what we are exposed to that determines our outlook.  It is the ultimate nature versus nurture debate- I believe we are born with innate senses, one of which, for some people, is the ability to believe without seeing.

I know there is an ultimate higher power.  I believe in universal and gravitational forces that pull you toward greatness.  I believe there is one source of life, but I also acknowledge that we were given the opportunity by that source to gather information and formulate belief through various mechanisms.  I know there are countless occurrences in my life for which I have no plausible, singular explanation that I can trace back to.  In my experience, there are multiple methods that attribute to any given circumstance.  I take a pluralist position at the end of the day

My strongest example that supports my standpoint is my writing.  It is not logical, or one-dimensional.  It flows freely, with no particular objective.  It is just something I feel.  It flees from my soul.   And surely, I write with diversity because I am influenced by nature and my surroundings.

I would advise anyone to trust what they feel.  That when they close their eyes, and sit silently, the intensity of their soul will speak.  If your prayers become more mature and inward, you hear things you’ve never expected.  I hear God, but I also hear, see, smell, taste- and most importantly, feel- the things around me that make me believe.  There’s your heart, your head, your heaven.  I cannot explain it in its entirety.  I just know that when I put logic to the wayside, and close my eyes, I can still see.

GjM:  With that in mind, do you think we have such a thing as an immortal soul in us?

SM: Absolutely.  I believe that we are anything but vast, empty vessels navigating our way through this earth.  I believe wholeheartedly we are guided by a source of power within us.  We are walking souls.

The soul to me is the ability to seek and gather.  It is fed by positivity and purity.  It keeps us from surrendering.  It strengthens our sense of self.  It demands attention.  It makes our reality less cloudy. It is our personal compass and map to greatness.  It is a friend trapped inside our being.

I think that every person has individual beliefs to which I cannot, and will not, negate or debate.  I am not a judge on what is right versus wrong, but I do believe we are all being driven.  Sometimes the catalyst for movement and worship is selfless spirituality; sometimes it’s the disease of addiction.  But I believe our nature is to move toward our motivation.

My goal is to create circumstance for which every person I am lucky enough to encounter has the ability to see their possibility.  I want to create a movement that flows in the direction of positivity and self-power.  I want souls to dance on greatness, not be burdened by blame and doubt.  In the end, it is my constant personal theory on acknowledgment- does the light in me, light the light in you?

I believe when I am gone from this earth, my name will be forgotten.  Enough years will pass that I will become a faint memory or perhaps nothing at all.  I am aware, that with the exception of a select few individuals, this is the reality.  I do however believe there is an exception to the rule.  The way I choose to conduct my life- the traditions I instill, the words I speak, the fire I light in another- that lives on.  And it spreads.  It becomes an immortal, lasting testament to your own self, long after the physicality of the body is gone.  It is the work of the soul. To take a piece of the good with me when I go, and leave behind so much more.  It differs from spirituality; it is the movement and transfer of the power of one human being into another human being.  Because, you never really know how far the ripple effect of your decisions will go.

GjM: I would like to end this interview with you with a question about beauty. But first, what is it, do you think, that makes someone a good person? Why is that good?

SM: For me, being a good person means the ability to own yourself.  I think that the most highly influential people that I consider noteworthy have this innate ability to remain intact in their being no matter what the circumstance.  This sounds like a relatively easy task, but I find that with the corruptive nature of society, less than encouraging individuals, and other external influences, it becomes easy to resort into being what the world wants of you.

The people I consider good are not free from error.  They simply make mistakes, acknowledge their mishaps, and move on in a way that encourages growth.  More importantly, they do this with a sense of humbleness.  A good person to me lacks unnecessary ego, is not quick to judge, stands true to their character and makes an effort to be present.

Some of the biggest character building moments in my life resulted from times when I was pushed out of my comfort zone.  Safe to say, I did not always like this- and still often do not.   But, when you’re forced into challenge, you get the opportunity to see if your soul was born to sink or swim.  I’ve done a lot of laps in the kiddy pool, but now I challenge myself to swim freely in the deep end of diversity, discomfort and discontent.  This is where I learn to thrive on my sense of self, and know that as long as I’m making conscious decisions for the betterment of myself and those around me, I’ve done the task at hand to the best of my God-given ability.

GjM: As a beautiful girl that you are, tell us, is there, in our erotic longings, some wild desire for something more ultimate than any of the beauties of this world?

SM: I will answer this with an optimistic yes.  Simply put, pretty passes.  It fades. It’s inevitable.  And when the curtain is called on the beautiful wonders of this world, you better have something to fall back on.

I completely understand the illusion.  I understand that pages of magazines cater to the most beautiful individuals in the world.  I understand the status behind nice cars and big homes.  I understand the symbolism and envy that comes from a big ring.  But, I also understand this- looks fade, cars break down, homes burn, and those jewels are worth nothing if your marriage is unfaithfully unraveling.  Simply put, I have an awareness that all of this is temporary.

I think there is one fundamental, core longing in every person placed on this earth- regardless of race, culture, religion, or any other diversity.  I believe, we just want to be accepted.  In our foundation, we are an animalistic, primal species that thrive on group acceptance and companionship.  I think every person placed on this earth has some need to bare witness to another. We just want to be noticed.

Nonetheless, the means in which one desires to draw attention or pay attention to another sometimes manifest through the obtainment of the pretty.   Society has ingrained the need for ‘more’ into our psyche.  Bigger is better. Don’t stop until you get enough.  But, who determines when enough is enough? After all, you can’t buy character with cash.

Having been paid the lovely compliment of being called pretty throughout my life, I have found the pressure that ensues following such.  I feel an enormous amount of responsibility and expectation.  I am indebted to the identity and classification of societal beauty.  However, I have also learned that my worth cannot be established by whether my jeans fit snuggly on any given day.  If I rely entirely on compliments to boost my worth, I will live an utterly isolated life.  I am keenly aware that it will eventually fade.  And when it does, I hope someone will compliment my intellect, strength, wisdom and wit- since those don’t fade with the wrinkles.

The beauties of this world are temporary.  They bring momentary pleasure. They don’t last. So I believe the real underlying longing in all of us remains the idea of just wanting to be accepted.  Some people use external means to feel included, some rely on integrity, prayer and virtue.  But in the end, I believe we are all longing for one shared thing- to be seen in our entirety.

 

 

 

 

 

 

 

Filed Under: Interviste Tagged With: Gjeke Marinaj, interviw, The beauty, with Stephanie Morre

“Albanians are the living museum of the world’s culture”.”

October 17, 2013 by dgreca

Interview with albanian –american writer  James Wm. Pandeli/

Interviewd by Raimonda Moisiu/

The Pandeli family come from Korça & Devolli (his grandparents) to USA in 1904, 1911,1917 and 1920 respectively. His father was born in Treni Devolli region,  and came at 5 years on the day his mother was born in Philadelphia on 21 dec. 1920.

James Wm. Pandeli  is a product of the Noli-Konitza generation in America. He graduated Univ. of Connecticut in 1966 in economics and California college of Law in 1975 with Jurist Doctor degree.
He published the book “Oh Albania, my poor Albania” in 1980, deciphering a part of Hesiod’s “genesis of the gods” c.700 b.c. (in Albanian language printing will take place 2 marche 2010 in Ferizaj, Kosova).

In this book you will enjoy learning about Cham, Geg, Lab & Tosk and the evolution of the Albanian people thanks in part to Hesiod -though he probably did not understand his own “genesis of the gods”. J. Pandeli was fortunate to analyze a new interpretation in Hesiod’s work as it applies to the pelasg-illyr-albanian people)- Oh Albania, my poor Albania:
The history of ” Mother Albania ” from the beginning of time, the beginning of the world .

It says: James Pandeli is a product of Noli -Konitza? What do we know about the linkage between you and them?

My four grandparents were of the Fan Noli generation, arriving in the usa in 1904, 1911, 1917, 1920. My parents were married in the era of Faik Konitza in America, 1940.One grandfather left Albania at 12 years old in 1904 only to return to marry in 1911 and begin his family in Philadelphia, USA. The other grand father  left Albania in 1884, at 9 years old and worked in mines in Egypt, Boulgaria, Turkey, and finally Russia. I have the Czar Nicholas gold coin dated 1898, the date of his probable return to Albania. Sometime after 1915, having built a home in Korca and already having  two children, he left albania again-this time to go to America.

What was your first book?

My first and only book was “Oh Albania, my poor Albania’.  In older age it was  more productive to do essays.

What year was that?

1980

I didn’t realize you’d been publishing for that long.

Yes

How old were you when “Oh, Albania, my poor Albania”, was published?

36 years old

Writing what was inside of you rather than what you felt you should be writing?

A great desire to find the lost pelasg-illyr-albanian story.  When very important analysis was made while reading “genisis of the gods” by Hesiod, 700 b.c., I realized what I had to do. Then I began exploring ideas about cham , geg, lab, tosk and ideas about the albanian identity from the time of pelasgians – and using dionysus (di-oun-sis) as a vehicle for the ideas.  The unfolding analysis directed my writing.  Rushit  Ali Plaku of Konispol in 1972  encouraged the need to concentrate on the pelasg-illyrian past.

You have published your book,”Oh, Albania, my poor Albania”, in 1980, how did you managed to get it published?

I  neither looked for nor trusted publishers or editors.  For that matter university scholarship and doctorate research, in my thinking, could not be trusted to be presented on matters concerning the albanian story. This had to remain an albanian only, stricyly albanian project.  I published the book  myself and filed copyright paperwork, complying with copyright laws. I brought four copies to the albanian mission to the U.N. On april 1, 1980 where I met one named  Todi Rizo who probably was the security.

It has been said, that if the book “Oh, Albania, my poor Albania”, by James Wm. Pandeli proves to be true one day, it will be the greatest albanian history book ever written? Is this book based on true historical facts?

I understand what constitutes historical facts!  If you are referring to published sources you have to wonder what is presented as ‘fact’.   From the analysis of others about the albanian story I have little confidence nor do I accept as a basis the findings of most scholars concerning pelasg-illyr-albanian history.  From one point of view they could never have imagined the depth of our existence having themselves relatively recent  “jumped down from the trees”.  When dealing with pre- history much is based on the fragments of history.  Along with pottery found, there is a reasoning process and explanations that are difficult to prove inaccurate. Actually, we have to thank enemies because their thinking, their reasonings, have become so outrageous in their confiscation attempts of albanians and albanian lands that they exposed themselves and the weakness in their arguments. And with regard to the pre- history, they remain in a vacuum – empty space.  Believe it or not  the greeks suffer from this.  Understand this, if all facts fail, the albanian DNA has been present, generation after generation.  No one can come up with the facts of pre- history but by the clever and honest use of fragments, ancient names, words, early man’ s perceptions to  imagine a more likely version of the pre – history, a clearer picture of the evolving past. No other group has been able to match what appeared to be an  impossibile task – recover the pelasg-illyr-albanian past.  Yes, it was suggested to me that if this book proves true it will be the greatest albanian history book ever written. What emerges is a new source heretofore not imagined because one false source built on another false source had served  to establish truth that was in effect truth manufactured – that is truth without any considerations for the perceptions of pre- historic man or his language or the various fragments in history.  This process of truth manufctured evolved over centuries while illyr-albanians were caught in the whirlwind of conquest and turmoil,  first by rome, then byzantium, then by the ottomans and then by the instabilies of developing nation- states and the influx of foreign ethnic groups over these hundreds of years. Commercial movies provide ‘interesting facts’.  imagine Alexander the Great, calling out to his illyrian troops “ti kanas, kala”.  A very interesting fact in history is the recording by Hesiod of the birth of Aphrodite.  The more probable story of the birth of Aphrodite is the version that I expressed in my book. Albanians of today realize that balances have to be made in their thinking, but that does not mean they have to capitulate.

Where did this book begin? Did you set out a mission on researching on albanian history or were you inspired by something else?

I always enjoyed reading about the history of the albanian people.  What was written by others as well as what was written by albanians.  My inspiration came from an inquisitive intellect. I balanced what I knew about the albanian people and  myself as an albanian-american . It was in 1979, in the library in Ft. Lauderdale, Florida where I was reading Hesiod and making notes , when I asked myself “could it be that the ancients thought the beginning of the world took place by the Shkumbini river?”-  when I asked myself “could it be that the ancients thought the beginning of the world took place by the Shkumbini river?”-

But how come you’re are able to produce a new interpretation in Hesiod’s work as it applies to the pelasg-illyr-albanian people?

Hesiod gave me this opportunity to be able to produce a new interpretation with his use of concepts chaos; ge (gaea); er; and tartar in his “beginning of the world” story. I played with ideas. Example, we see kaos and ge…  So why not cham and geg?  At first it may not seem plausible, but as other ideas were considered,  what at first  appeared as a catalyst, it  became more substantive when different thoughts  were analyzed.   What was very important was to keep faith in our ancestors’ creativity and just continue going through this maze, this unraveling process.  It was some years  later that I started with essays to clarify in my own thinking what needed to be reviewed and then the implications and i realized just how right my ideas were.  This then (the study of the albanian race) opened some interesting thoughts about some aspects of this thing we call DNA.  My intellect could not rest.

We know now, if proof is required in one phrase “almost impossible”, How would you interpret Geg, Lab & Tosk and the evolution of the Albanian People, to the skeptic academicians/historians?

The ‘almost impossible’  phrase came from me.  The least important thing now as the result of my work and years gone by, are the skeptics, those that feed only on confiscation of people’s, lands and identity.  Those days are gone in truth – but still attempts may continue.  They are feeding!  Don’t dignify the term anti-albanian academicians/historians.  Anyone is welcome with ideas, even if anti-albanian. But the time to just be dishonest is over. Historians with good ideas should be welcome. For example, imagine how much greeks can learn about their past if they took my work seriously.  Even the western scholars in europe and america could benifit. That would prove that so much in history that they created was wrong. So where is the scholarship?  The same is true with slavs. Imagine all they could learn about their heritage in the russian ‘alps’ or ‘plains’ before they became puppets for those interested in Balkan conquests – even puppets to themselves and their people and then live with that as a cultural heritage?  What skeptics?  Those that are very jealous of albanian people and have become obviously so.  They only look to Russia, not for cultural heritage but to be able to continue their feeding frenzy and actions in the Balkans.  If you think I’m joking just review the greek economic turmoil. They are now feeding on themselves. sad for the supposed birthplace of western civilization.  This will be true soon about America.  The concepts cham, geg, tosk and lab have evolved from the earliest time in the Balkans, most probably in stories that evolved  around the Shkumbini river as just beginning stories of primitive people.  We cannot  imagine this primitive time but we can reflect using the various ideas mentioned, fragments, perceptions, language – words and names that survived, always evolving.

That wisdom must come from somewhere though…

The wisdom comes from my life experiences from very early age. I realized that I had to achieve the highest education possible no matter what the cost.

In your writings, is that what you’re relating it to?.

My intellect created the  final product/productions.  My perceptions have always been keen.

Where do you live?

Florida, USA

How would you interpret the current global economic crisis? Is another fiction or a painful reality?

Oh, it is a reality, but created by very old, clever people that only other, very old, clever people can understand and best analyze – old in the sense ancient people.

What are your sentiments on Kosovo & Albania??

My sentiments are the same  as the strategy of Mother Albania, – Nena Shqiperia! As always in history, she displays her strength through the intellect and patriotism of the albanians of the Balkan’s, and maybe a few outside the Balkan’s as well.

Do you consider yourself albanian-albanian?

I am an albanian-american of the pelasg-illyr-albanian faith, spiritually speaking.  Think about this comment seriously when reviewing current events, and mans’ capacity and spiritual interpretations on this one common home, planet mother earth.  Don’t think first to be offended, but rather to edify – think spiritually in this truth what man/woman has not yet imagined. This is the importance of the  discovery of the pelasg-illyr- albanian past in a wider sense because they have existed tens of thousands of years before man reached beyond his capacity to undertake spiritual thought beyond an appreciation of mother earth.

You said the inspiration comes by your albanian origin. Are your writings, esseys heavily plotted or do they come from above, as it were? I get a sense that they do..

No.  The inspiration does not come from “above”.  that “above” comes from interpretations from other cultures, other people, other lesser capacities and abilities;  people very much younger than pelasg-illyr-albanians.  My work comes from the appreciation and respect of the ancestors – from their memory, their creativity and through their strength our survival.

Why do you write?

I  think you can begin to sense why I write  and now you might understand why I am able to sense so much of albanianism.  I was very much in tune to albanian history and identity.  If you cannot sense this,  it is very much worth thinking about it when reading my work, my thoughts and discoveries now that they will be forever established in an albanian context as a source.

What are you writing now?

Now i am interested in writing about the american condition. A condition that I understand very well.

A massage for your albanian community?

Please remember the words of Muharrem Cerabregu: “Albanians are the living museum of the world’s culture”.

All I did was open the door to this understanding – in depth.  The eagle has landed!  Please also remember that I am always mindful of the sufferings of albanians in albania the last 50 years and also of the sufferings in Kosova and the rest of the Balkan’s.  the younger generation has great potential and it is for us living in the free, industrial, productive west who have had opportunities to learn in depth, to share ourselves whenever possibile to help albanians reach that higher plateau.  That too is our kismet, and our DNA!

The  DNA  is an important concept  when understanding the  ethnic propensity to achieve the impossible.

Thanks a lot! Be honored and proud being albanian, Mr.James Wm.Pandeli

Interviewed by Raimonda Moisiu

Hartford CT USA.

 

Filed Under: Interviste Tagged With: Albanians, are the living, James Pandeli, museum, of the world's culture

Kreshnik Xhiku: Hapja e një ekspozite për një piktor ose skulptor, është si një koncert për një këngëtar

October 16, 2013 by dgreca

Interviste me artistin shqiptar në Amerikë, Kreshnik Xhiku/

Ne Foto:Shtatorja e Gjergj Kastriotit Skenderbe, veper e skulptorit Kreshnik XHIKU/

BEQIR SINA, New York/

WASHINGTON : Në Galerinë e Lidhjes së Arteve, në Aleksandria afër Washingtonit, u hap në muajin shtator ekspozita me titull :”Structural Elements”,e skulptorit të njohur shqiptar dhe amerikan, Kreshnik Xhiku. Ekspozita që qendrojë e hapur deri më 7 tetor, pati visitor të shumtë, nga Uashingtoni dhe shtetet për rreth tij.

Gazetarët dhe vizitorët që patën rastin t’a vzizitojnë këtë ekspozite sipas Zërit të Amerikës, thanë se arti i Kreshnik Xhikut i përket kryesisht rrymës abstrakte, që e bën vizitorin të mos pyesë se çfarë është, por t’a shijojë atë. Në këtë ekspozitë të re vetjake, Kreshnik Xhiku eksploron midis figuratives dhe abstraktes në kufijtë që i bashkojnë ato, thotë VOA.

Duke përdorur drurin dhe metalin, here-herë edhe tekstile – shoqëruar me ngjyra – thuhet se Xhiku krijon forma strukturore, ku duket qartë dora e artistit; druri, për skulptorin Xhiku, përfaqëson ngrohtësinë dhe shërben si kundër-peshë ndaj ftohtësisë së metalit. Druri, gjithashtu, është një element lidhës me vendlindjen e skulptorit, që ri-zgjojnë ndjenja që nga koha e fëmijërisë kur druri ishte elementi kryesor ngrohës.

Kështu kjo mënyrë të shprehuri e afron shikuesin, sjell rezultat  – sepse krijon harmoni mes fantazisë dhe formës, pa humbur veçoritë e secilës. Me ketë, skulptori Xhiku tregon se shprehja është sa e qartë aq edhe e perhumbur dhe se për të shprehurit nuk ka mënyra fikse. Abstraktja i jep mundësi artistit të dalë jashtë standarteve kufizuese. Xhiku e sheh procesin e tij krijues si një vazhdimesi në ngritje, progres, ku çdo vepër ndikon tjetrën, duke i bërë ato pjesë të së njëjtës përpjekje.

Ndërkohë ai si instruktor dhe profesor i vizatimit dhe skulpturës në shkollen e Lidhjes se Arteve në Aleksandria për më shumë se një dekadë, Xhiku ka ndarë përvojën dhe vizionin e tij krijues duke ndihmuar e frymëzuar shumë artistë të rinj. Karrierën si artist, Kreshnik Xhiku e ka filluar që në Shqiperi, si i diplomuar e më pas profesor në Akademinë e Arteve ne Tirane.

Në këtë intervistë për gazetën tonë, skulptori i njohur në Shqipëri dhe Amerikë, tregonë për punimet e tij të cilat janë ekspozuar në kryeqendrat e shumë vendeve në Evropë e SHBA. Ai thotë se :”Skulpturat e tij jo vetëm se zbukurojnë sot parqe e hapësira publike, por na bënë të ndjehemi më shumë Shqiptarë”, për këtë zoti Xhiku veçojë me këtë rast  momentin kur në një qytet kaq të rëndësishëm si Londra, vendoset busti i heroit tonë kombëtar, dhe fare pranë Hyde Park që është pothuajse në qendër të Londrës, ku si tha zoti Xhiku, padyshim që të gjithë shqiptarët ndjehen krenarë, dhe jo vetëm ata që banojnë aty.

Zoti Xhiku, si u lindi ideja e hapjes së kësaj ekspozite në “The Art League Galery”, për të paraqitur punimet e tua përpara një publiku të sofistikuar të Uashingtonit dhe kush e mbështeti organizimin e kësaj ekspozite?

Xhiku :  Kisha kohë që unë, si çdo artist tjetër, dëshiroja të hapja një ekspozitë personale këtu në Shtetet e Bashkuara. Hapja e një ekspozite për një piktor ose skulptor, është si një koncert për një këngëtar. Vendosa t’a hapja ekspozitën kur e ndjeva që kisha krijuar një grup veprash të cilat mund të rrinin bashkë.

Artistët aplikojnë në galeri të ndryshme për të hapur ekspozitë personale dhe galeritë kanë një juri që zgjedh artistin. Ekspozita nuk u mbeshtet financiarisht nga ndonjë sponsor – galeria organizon ekspozitën, bën publicitetin dhe kur shiten veprat galeria mban një përqindje nga çmimi i veprës që shitet.

Kur bën një ekspozitë personale artisti ka më shumë se kurrë shansin që të bëjë një “statement”, të shpalosë të gjitha preokupimet e veta artistike, në çfarë drejtimi është vemendja e vet.

Në kuadrin e kujt aktiviteti u hap kjo ekspozitë ? Cila është tema e kësaj ekspozite dhe çfarë ju motivojë ?

Xhiku :  Ekspozitës i vura titullin “Elemente Skulpturore”. Ky tregon në një-farë mënyre thelbin e ekspozitës. Në ekspozitë janë 13 vepra bashkëkohore, pjesa më e madhe e tyre janë në dru. Kam kohë që punoj për këtë ekspozitë, por kam pasur dhe ndërprerje sepse kam qenë i angazhuar me disa vepra monumentale.

Si u pritë nga vizitori në Uashington ekspozita juaj ?

Xhiku :  Ekspozita u prit shumë mirë. Bërja e një ekspozite personale është shumë e rëndësishme për karierën e një artisti në shumë aspekte. Mendoj se më e rëndësishmja është që çdo artist, kur ka një ekspozitë personale, nxjerr konkluzione, p.sh., ku gjendet krijimtaria artistike tani, çfarë drejtimi duhet të ketë për më tutje, krahason veprat e tij me veprat e artistëve të tjerë, etj.

Nga vizitorët kush ra në “sy” më shumë ?

Xhiku :  Në ceremoninë e hapjes erdhen shumë njerëz, të fushave të ndryshme si artistë, gazetarë, diplomat , student e studente miq, kritik e  etj. I pranishem qe dhe ambasadori i Shqipërisë në Uashington zoti Gilbert Galanxhi

Çfarë të rejash keni sjellë në këtë ekspozitë ?

Si shumë artistë, edhe unë, përpiqem të sjell zërin tim në korin e madh të artistëve. Diçka e veçantë që kam dëshirë të theksoj në lidhje me veprat e mia është që aty unë shikoj reflekset e Shqipërisë, të jetës sime aty. Shpesh janë reflekse të imazheve të cilat na rethonin kur u rritëm. Veprat e mia në dru janë të lidhura shpesh, po jo në mënyrë direkte (prandaj dhe unë përdor fjalën “reflekse”) me punimet e drurit që gjënden në banesën tradicionale shqiptare.

Ju jeni autor edhe disa  monumenteve të tilla si : Skënderbeut (Miçigan), Nënë Terezës (Cleveland, Ohio), Mbretit Zog (Tiranë) dhe disa veprave të tjera, Çfarë lidhje kan këto tre figura në mes njëritjetrit në punën tuaj ?

Xhiku :  -Në shtator të 2006 u inagurua monumenti i Skëndërbeut në Kishën shqiptare të Shën Palit, në Michigan. Ky monument u porosit nga komuniteti shqiptar i kësaj kishe në vitin 2005.

-Statuja e Nënë Terezës ndodhet në parkun kulturor të Cleveland, Ohio. Ky monument u inagurua në shtator të vitit 20012, por puna për këtë vepër kishte nisur që në vitin 2009.

-Ndërsa, në kuadrin e festimeve të 100 vjetorit të pavarësisë së Shqipërisë, fitova konkursin kombëtar për monumentin e mbretit Zog, I cili, u vendos në shetitoren “Zogu I” të Tiranës në dhjetor të 2012. Po me këtë rast, u bënë busti i Skëndërbeut në Londër që u inagurua në nëntor 2012 dhe busti i Skëndërbeut në Itali që u inagurua në gusht të 2013.

Këto janë simbole të rëndësishëm të historisë së kombit shqiptar – si të tilla janë të rëndësishme dhe për mua si shqiptar.

A mendoni që një eksperiencë e tillë mund të përsëritet edhe në qytete të tjera të paktën në ato qendra ku më së shumti jetojnë shqiptarët, Nju Jork, Detriot dhe Çikago.A mund të na tregoni diçka nga eksperiencat  tuajat në këto paraqitje?

Xhiku :  Mendoj që shqiptarët kudo që janë duhet të kenë simbolet e tyre – ato ruajnë dashurinë dhe respektin që ata kanë për vendin e tyre. Këtu dua të përmend diçka nga ceremonia e vendosjes së bustit të Skëndërbeut në Londër, qe shumë emocionale dhe mbetet e paharruar për mua. Dita e inagurimit ishte një gëzim i jashtëzakonshëm për shqiptarët që banonin në Londër dhe në qytetet perreth. Në momentin kur në një qytet kaq të rëndësishëm si Londra, vendoset busti i heroit tonë kombëtar, dhe fare pranë Hyde Park që është pothuajse në qendër të Londrës, padyshim që të gjithë shqiptarët ndjehen krenarë, dhe jo vetëm ata që banojnë aty. Shumë prej tyre e preknin fytyrën prej bronzi të heroit tonë kombëtar. Kur u zbulua busti qe mbeshtjellë me flamurin shqiptar, të gjithë filluan të këndojnë këngën “Shqipëri, o Nëna Ime”. Disa pyesin nËse busti do të rrinte përkohësisht apo do t’a kishin gjithmonë mes tyre. Dukej e pabesueshme ajo që po ndodhte. Dua të përmend me këtë rast, meritën e ambasadorit të Shqipërisë në Londër, z. Mal Berisha, pa përkushtimin e të cilit ky bust nuk mund të realizohej. Po nën kujdesin e tij, u vendos busti i Skëndërbeut në Itali, në qytetin arbëresh Montecilfone.

Disa nga çmimet ose vlersimet që keni marrë ?

Xhiku : Jam vlerësuar me disa çmime: tre çmime “Onufri” që është vlerësimi më i lartë në artet figurative në Shqipëri , kam përfaqësuar Shqipërin në dy biennale në Turqi. Këtu në Amerikë kam marrë një çmim të parë në 2004 në një ekspozitë në Ëashington DC dhe çmimin “Monkith Saaid” në Alexandria, Virginia.

Së fundi një mesazh për arstistët shqiptarë në diasporë ?

Xhiku :  Ka shumë artistë shqiptare që punojnë dhe janë të sukseshëm në vende të ndryshme të botës. Nga eksperienca si emigrant, e kuptoj vështirësinë e të qenit artist në një vend të   prandja i vlerësoj më shumë arritjet e tyre

Filed Under: Interviste Tagged With: Beqir Sina, Interviste, Kreshnik Xhiku

FLET AL BANO CARRIZI: Po, më quajnë Albano si homazh ndaj vendit tuaj

October 13, 2013 by dgreca

Albano,faleminderit që e pranuat ftesën per interviste./

-Ju faleminderit juve./

-Meqë ra fjala për emrat: nëna ime nga babai ishte italiane dhe e kaloi të gjithë jetën në vendin e burrit të saj shqiptar. Ne nipërve ajo do të donte shumë të na vinte – sipas traditave të saj – emrat e prindërve të vet ose të të parëve, pra emra italianë. Por kjo në Shqipërinë që vunate nën diktaturë, nuk iu lejua. Në rastin tuaj, emir juaj – një histori ose më mirë e pashmangshme, të bën të mendosh për Shqipërinë, a nuk është kështu?

Po, të vendit ku babai im, don Karmelo, mori pjesë në një luftë që ( si të gjitha) vetë ai e konsideronte të padrejtë. Por kujtimi i Shqipërisë ishte i fortë dhe prandaj kur u kthye, vendosi të ma vinte këtë emër që kam dhe jam krenar.

Siguriasht origjina apo shkaku i zgjedhjes vetëm të emrit, nuk mjaftojnë për një person që të provojë ndjenjat e një dashurie për një vend të përcaktuar…Si shpjegohet lidhja juaj e miqësisë me popullin shqiptar?

Pak nga afërsia, pak sepse i kam ndjekur gjithmonë ngjarjet e popullit tuaj, personalisht ndihem shumë afër Shqipërisë ku kan dhënë disa koncerte që u ndoqën shumë. E dija se shqiptarët e ndiqnin Festivalin e Sanremos dhe ishin pro meje.

Në vitin 1989 ju erdhët në Shqipëri dhe dhatë një concert madhështor. Më kujtohet veçanërisht ai në Tiranë, në stadiumin Q. Stafa. Prej stadiumit tek shtëpitë tona hynte zëti  juaj…Ne na u desh pak ta mësonin këngën Liria, kush e di përse. Çfarë përgjegjësie sillte për ju ky hap në Shqipëri?
Për mua ishte një emocion i madh në vitin 1989 të këndoja në atë stadium përballë mijëra njerëzve që këndonin bashkë me mua një këngë që më pas u bë një lloj himni: Liria. Ishte ndoshta ai hapi I parë drejt ndryshimit që ende vazhdon, por që ka marrë rrugën e drejtë të lirisë.

Ju morët një medaljen Skënderbeu nga presidenti i Shqipërisë që iu dha për herë të parë një artisti. Cilat janë përshtypjet?

Një medalje që për mua përfaqëson një motiv më shumë të një krenarie të madhe. Fakti që për herë të parë iu dha një artisti, e shton kënaqësinë time dhe vlerësimin e madh për popullin shqiptar.

Tani kënga ka interesa të tjera?

Merrem me verën e fermave të mija në Cellino San Marco, ku prej vitesh kemi krijuar një fshat turistik që tashmë është një pikë referimi në sektorin turistik puljez.

Shekspiri citonte: Oh, ti, shpirt I padukshëm i verës, nëse vertët nuk ke një emër me të cilin të të thërres, më ler së paku të të thërras me emrin e djallit”. Për Albanon lidhja me tokën e vet dhe frytet e saj?

Lidhjen me tokën e kultivoj qysh kur isha fëmijë. Tash e vazhdoj në rolin si sipërmarrës vere: si dëshmi e madhe e dashurisë për tokën dhe frytet e saj të mrekullueshme.

Karriera juaj e shkëlqyer si po ecën? Projekte për të ardhmen? Ndonjë koncert në Shqipëri?

Puna ime si këngëtar vazhdon, si me koncertet, ashtu dhe me albumet. Projektet për të ardhmen nuk mungojnë dhe në Shqipëri vij gjithmonë me qef.

Përgatiti për Albania news dhe e dergoi per Diellin Arjan Th. Kallço

Filed Under: Interviste Tagged With: Al Bano Carrizi, Arjan Kallco, flet, Interviste

Regjizori i talentuar Orges Bakalli me një film të ri “Made in Amerika”

October 3, 2013 by dgreca

Ne Foto: Producenti Joseph Di Mattia , aktori Artan Telqiu dhe regjizori Orges Bakalli/

Nga Ermira Babamusta/

Skenaristi dhe regjizori i talentuar Orges Bakalli i është përkushtuar projektit të tij të parë, një film me metrazh të shkurtër, me titull “Made in Amerika”. Regjizori amerikan nga New Yorku me origjinë shqiptare vlerësohet për dokumentaret dhe tani synon kinematografinë. Me filmin “Made in Amerika” ai prezanton një histori të një familje shqiptare që ka emigruar në New York, me pretagonistë dy aktorë të talentuar Artan Krasniqi dhe Ermira Berisha. Me producent Joseph Di Mattia dhe producent ekzekutiv Roland Uruci, filmi premton një portretizim të veçantë. Për më shumë rreth filmit vizitoni https://www.facebook.com/MadeInAmerika.

Kur keni filluar të merreni me filma?

Regjizor Orges Bakalli: Për herë të parë unë fillova ta shikoj filmin si një formë arti kur kam qenë në shkollë të mesme. Per fatin tim te keq , shkolla e mesme ku une shkoja nuk ofronte kurse filmi, keshtu qe une mbas disa kerkimeve qe bera gjeta nje program qe quhej Reel WorksTeen Filmmaking, i cili me dha  mundesine te filloja te punoja ne fushen e filmit.

Cilat cilësi zotëroni që ju dallojnë nga regjizorë të tjerë? 

Regjizor Orges Bakalli: Një cilësi që unë kam dhe që është e domosdoshme për regjizorin është aftësia për të imagjinuar një ngjarje .Nje regjizor i mirë duhet të përshkruaj kuptimin dhe emocionet e ngjarjes nëpërmjet imazheve .

Cilat filma ose video të tjera keni prodhuar?

Regjizor Orges Bakalli: Puna që kam bërë për Real Works ka qenë më shumë filma dokumentare . “Made in Amerika” është përpjekja ime e parë si regjizor i nje filmi  të shkurtër autotentik .

A planofikoni të aktroni në filmat që bëni?

Regjizor Orges Bakalli: Personalisht unë i respektoj shumë aktoret dhe në të kaluarën kam marrë disa kurse për teater, por tash për tash unë kam dëshirë me u fokusu në regjinë e filmit. Ndoshta më vonë në të ardhmen mund të konsideroj idenë me marrë pjesë si aktor në filmat e mi.

Si lindi ideja për skenarin e filmit “Made in Amerika”?

Regjizor Orges Bakalli: Ideja për me shkru “Made in Amerika” thjesht më erdhi duke parë e duke jetuar në Ridgewood  NY. Ky komunitet dominohet nga emigrantë që vijnë kryesisht nga Shqiperia, Polonia dhe nga shume vende të tjera të Europës Lindore. Unë vendosa të tregoj një ngjarje që i dedikohet këtij komuniteti .

Sa kohë u desh për të zhvilluar personazhet e filmit?

Regjizor Orges Bakalli: Aktualisht më është dashur më shume kohë se sa e kisha  parashikuar. Unë në mendjen time e kisha të qartë drejtimin që do t’i jepja ngjarjes, por realizimi është gjithmonë pjesa më e vështirë  dhe më e paparashikuar. Joseph Di Mattia ka qene një mësues dhe produktor i jashtëzakonshëm i cili më mësoi etikën e punës që më nevoitej për të treguar  ngjarjen.

Na tregoni pak për filmin “Made in Amerika”

Regjizor Orges Bakalli: ‘Made in Amerika’ është historia e një çifti që sapo ka emigruar nga Shqipëria dhe e problemeve që ato ndeshen ditë për ditë në Amerikë.

Cili është mesazhi i filmit?

Regjizor Orges Bakalli: Mesazhi i filmit është  që kurrë mos e lejo situatën të shkojë në ekstrem. Është historia e një djali i cili mundohet të zgjidhë një problem të mprehtë por duke dashur të bëjë këtë po i krijonte vehtes një problem edhe më të madh.

Dy aktorët kryesorë në këtë filma janë të talentuarit Artan Telqiu dhe Emira Berisha. Si e plotësojnë ato vizionin tuaj për personazhet që keni në mendje për “Made in Amerika” ?

Regjizor Orges Bakalli: Artani dhe Emira që janë dy karakteret kryesore të filmit janë aktorë fenomenal. Secili prej tyre ka sjellë diçka unike tek roli dhe perveç kësaj kanë shtuar diçka të veçante tek secili karakter. Si regjizor i filmit nuk mund të imagjinoja dy persona më perfekt për këto role.

Cili është roli më i vështirë në këtë film?

Regjizor Orges Bakalli: Roli më i vështirë  për t’u luajtur ka qenë John, që përfaqësonte kompaninë e sigurimeve. Mua më duhej një person që të ishte antagonist, në kontroll dhe në të njëjtën kohë të ishte i simpatizuar nga audience. Kjo është e veshtirë per çdo aktor, por Alex Richard bëri një punë impressive. Ai i dha jetë karakterit të Johnit në një mënyrë që unë nuk e kisha imagjinuar. Ai është një djalë shumë i talentuar.

Si e keni financuar filmin?

Regjizor Orges Bakalli: Filmi është bërë me një buxhet shumë të limituar. Unë nuk kisha shumë mundesië ta financoja filmin, derisa Roland Uruci shprehi dëshirën të më ndihmonte. Kjo bëri që situata të ndryshonte. Ai më prezantoi me Artanin, Ermirën dhe me shokun e tij Albert Elmazovski, i cili është një kinematograf i jashtëzakonshëm dhe mbi te gjitha ai edhe luajti ne film. Rolandi është shumë i talentuar  dhe unë mund të them pa frikë se filmi nuk do të ishte bërë i mundur pa të.

Arsyeja pse një film të shkurtër. A planifikoni ta zhvilloni në të ardhme në një film me metrazh të gjatë?

Regjizor Orges Bakalli: Arsyeja që të bëj një film të shkurtër ishte më shume e kushtëzuar nga mundesirat financiare, por në të ardhmen, është dëshira ime të rikthehem tek disa tema të ngjashme dhe të realizoj një film me të gjate ose seri.

Planet tuaja për filmin, do e dërgoni ne festivale?

Regjizor Orges Bakalli: Po, unë do ta dërgoj filmin “Made in Amerika” në festivalin e filmit sapo ta mbaroj .

 

 

Filed Under: Interviste, Kulture Tagged With: Ermira Babamusta, Made in america, Orges Bakalli, regjizori

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